 |
 |
|
 |
|
histories.
Its almost chemical, or something.”
She feels as if someone is plucking her eyebrows. Each syllable he pronounces
is one little painful pluck. She blinks repeatedly to dissolve her pain. She
tries to conceal it. She smiles at him. In order not to offend him. In order
not to create a scene.
He feels his words make her close up. He feels they interrupt the connection
that has been emerging at its natural pace. “I know this all sounds cheesy
as hell. Almost like a well-planned ‘come on’ line or something.
But this is real. It is all new to me, too. Anyway, we can talk about something
else if this is making you feel uncomfortable.”
She is desperate to stop the pain in her eyes. But she does not want this to
end. She saves this drowning moment with a logistical question. “So what
is your thesis on?”
“Oh, yeah, my thesis. Well, I’m examining the relationship between
food and art in sub-Saharan African cultures. Food is almost holy to many of
these tribes, since they don’t always have it. I am arguing that their
expressive food ceremonies are the most true form of art they produce.” He
once again kicks himself in the head in his mind. He doesn’t want to speak
of his thesis. All he wants is to feel.
“Wow. That’s pretty interesting. Food is also the most basic form
of expression. I guess it has a raw quality to it that other art forms don’t
have.”
“Yeah, it’s pretty amazing. I have photographs of some of the wedding
dishes this one tribe prepares. It’s unbelievable the effort and creativity
that goes into these things. This one picture shows...”
She doesn’t listen to his response. Just nods her head in consent as he
speaks. Her pain stops. She is relieved. She is once again comfortable.
He feels he is in prison. He stops his speech in the middle of a
sentence. He cannot speak any longer. |
|
 |
 |
 |
|
|